Being part of the SIGGRAPH Computer Animation Festival was a highlight in my career, an experience that bridged the realms of creativity, technology, and community engagement. As a committee member, I managed a team of dedicated volunteers tasked with curating significant CG works from 1976-2006. This involved accessing a vast library of over 2000 videos, meticulously watching each one, and recording our insights in a shared spreadsheet. These notes formed the foundation for interviews with notable CG artists, producers, and festival chairs, helping us discern which works to showcase in our final displays.

Beyond the curation, my role extended into the broader festival coordination. I was responsible for overseeing much of the production and post-production processes, from the trailer to the festival titles. This required close interaction with artists submitting work, as well as collaboration with a panel of industry leaders in animation, VFX, and CG. One memorable project was working with the team behind Nickelodeon’s “El Tigre,” coordinating efforts to feature the show at the festival. This collaboration involved the show’s creator, producer, and post-production supervisor, showcasing the exceptional quality and innovation of their work.